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  Ralph Vaughan Williams - Fantasia on a Theme by Thomas Tallis Ralph Vaughan Williams (1872-1958), England Fantasia on a Theme by Thomas T...

martes, 29 de marzo de 2016

Haendel ( Concerto grosso op.6 nº 3 )



Handel: Concerto Grosso, Op. 6: No. 3 in E Minor, HWV 321
 
 
Georg Friedrich Händel (1685 - 1759)

Concerto Grosso, Op. 6: No. 3 in E Minor, HWV 321

I. Larghetto - (0:00)
II. Andante - (1:18)
III. Allegro - (3:23)
IV. Polonaise - (5:48)
V. Allegro, ma non troppo - (10:28)

Performed by the Academy of Ancient Music
Directed by Andrew Manze
 

lunes, 28 de marzo de 2016

Giuseppe Tartini ( El trino del diablo )



GIUSEPPE TARTINI Sonata ' El trino del Diablo'
 
Una noche, en 1713, soñé que había hecho un pacto con el Diablo y estaba a mis órdenes. Todo me salía maravillosamente bien; todos mis deseos eran anticipados y satisfechos con creces por mi nuevo sirviente. Ocurrió que, en un momento dado, le di mi violín y lo desafié a que tocara para mí alguna pieza romántica. Mi asombro fue enorme cuando lo escuché tocar, con gran bravura e inteligencia, una sonata tan singular y romántica como nunca antes había oído. Tal fue mi maravilla, éxtasis y deleite que quedé pasmado y una violenta emoción me despertó. Inmediatamente tomé mi violín deseando recordar al menos una parte de lo que recién había escuchado, pero fue en vano. La sonata que compuse entonces es, por lejos, la mejor que jamás he escrito y aún la llamo "La sonata del Diablo", pero resultó tan inferior a lo que había oído en el sueño que me hubiera gustado romper mi violín en pedazos y abandonar la música para siempre...
 
 
Resultado de imagen de giuseppe tartini
 
 
 
    Giuseppe Tartini fue un compositor y violinista italiano del Barroco.
    Fecha de nacimiento: 8 de abril de 1692, Piran, Eslovenia
    Fecha de la muerte: 26 de febrero de 1770, Padua, Italia
 
 
 
 
 
 

Richard Strauss ( El burgués gentilhombre Suite)



Richard Strauss: Le bourgeois gentilhomme Suite Op. 60 9/9 (Jurowski)
 
Richard Strauss

Der Bürger als Edelmann (Le bourgeois gentilhomme), suite from the ballet for orchestra, Op. 60-IIIa (TrV 228c) 

IX. The Dinner

Chamber Orchestra of Europe
Vladimir Jurowski
 
 
 

Ferrer Ferrán ( La pasión de Cristo I )



La Pasión de Cristo -- Ferrer Ferrán I.- Nacimiento. Sacrificio de los Inocentes. Bautismo.
 
 

Los 15 números Trascendentes más famosos ( De Gaussianos )

  1. pi = 3.1415 ...
  2. e = 2.718 ...
  3. Euler's constant, gamma = 0.577215 ... = lim n -> infinity > (1 + 1/2 + 1/3 + 1/4 + ... + 1/n - ln(n)) (Not proven to be transcendental, but generally believed to be by mathematicians.)
  4. Catalan's constant, G = sum (-1)^k / (2k + 1 )^2 = 1 - 1/9 + 1/25 - 1/49 + ... (Not proven to be transcendental, but generally believed to be by mathematicians.)
  5. Liouville's number 0.110001000000000000000001000 ... which has a one in the 1st, 2nd, 6th, 24th, etc. places and zeros elsewhere.
  6. Chaitin's "constant", the probability that a random algorithm halts. (Noam Elkies of Harvard notes that not only is this number transcendental but it is also incomputable.)
  7. Chapernowne's number, 0.12345678910111213141516171819202122232425... This is constructed by concatenating the digits of the positive integers. (Can you see the pattern?)
  8. Special values of the zeta function, such as zeta (3). (Transcendental functions can usually be expected to give transcendental results at rational points.)
  9. ln(2).
  10. Hilbert's number, 2(sqrt 2 ). (This is called Hilbert's number because the proof of whether or not it is transcendental was one of Hilbert's famous problems. In fact, according to the Gelfond-Schneider theorem, any number of the form ab is transcendental where a and b are algebraic (a ne 0, a ne 1 ) and b is not a rational number. Many trigonometric or hyperbolic functions of non-zero algebraic numbers are transcendental.)
  11. epi
  12. pie (Not proven to be transcendental, but generally believed to be by mathematicians.)
  13. Morse-Thue's number, 0.01101001 ...
  14. ii = 0.207879576... (Here i is the imaginary number sqrt(-1). Isn't this a real beauty? How many people have actually considered rasing i to the i power? If a is algebraic and b is algebraic but irrational then ab is transcendental. Since i is algebraic but irrational, the theorem applies. Note also: ii is equal to e(- pi / 2 ) and several other values. Consider ii = e(i log i ) = e( i times i pi / 2 ) . Since log is multivalued, there are other possible values for ii. 
    Here is how you can compute the value of ii = 0.207879576...
    1. Since e^(ix) = Cos x + i Sin x, then let x = Pi/2. 
    2. Then e^(iPi/2) = i = Cos Pi/2 + i Sin Pi/2; since Cos Pi/2 = Cos 90 deg. = 0. But Sin 90 = 1 and i Sin 90 deg. = (i)*(1) = i. 
    3. Therefore e^(iPi/2) = i. 
    4. Take the ith power of both sides, the right side being i^i and the left side = [e^(iPi/2)]^i = e^(-Pi/2). 
    5. Therefore i^i = e^(-Pi/2) = .207879576...
  15. Feigenbaum numbers, e.g. 4.669 ... . (These are related to properties of dynamical systems with period-doubling. The ratio of successive differences between period-doubling bifurcation parameters approaches the number 4.669 ... , and it has been discovered in many physical systems before they enter the chaotic regime. It has not been proven to be transcendental, but is generally believed to be.)
Keith Briggs from the Mathematics Department of the University of Melbourne in Australia computed what he believes to be the world-record for the number of digits for the Feigenbaum number:
4. 669201609102990671853203820466201617258185577475768632745651 343004134330211314737138689744023948013817165984855189815134 408627142027932522312442988890890859944935463236713411532481 714219947455644365823793202009561058330575458617652222070385 410646749494284981453391726200568755665952339875603825637225
Briggs carried out the computation using special-purpose software designed by David Bailey of NASA Ames running on an IBM RISC System/6000. The computation required a few hours of computation time.

miércoles, 23 de marzo de 2016

Jean Baptiste Lully



Best of Jean Baptiste Lully. 1 Hour Classical Music

martes, 22 de marzo de 2016

Mozart ( Divertimento k 137 ) Sintonía de La Dársena



Mozart / Divertimento in B-flat major, K. 137
 
Wolfgang Amadeus Mozart (1756-1791)

Divertimento in B-flat major for string quartet, K. 137/125b (1772)

00:00 - Andante
07:52 - Allegro di molto
11:17 - Allegro assai

Academy of St. Martin-in-the-Fields Chamber Ensemble (1986)

"Three early Mozart pieces, K. 137, 137 and 138, are labeled divertimentos on the manuscripts and are so listed in Grove. However, few Mozart scholars accept that tag as an accurate description of the works, and most doubt that the title came from Mozart. For one thing, a divertimento should have two minuets, and these three have none. At first glance they seem to be straightforward string quartets--yet many experts contend that they don't sound at all like string quartets. 

So what are they? Mozart scholar Alfred Einstein fancies them as small symphonies for strings, to which the composer was prepared to add extra parts for winds; they are sometimes known as the 'Salzburg symphonies.' Musicologist Hans Keller has given them the curious designation of 'orchestral quartets.' Others insist that they are indeed string quartets even if they lack the serious temper of that rarefied form. Yet (to complete the confusion) they are universally referred to as divertimentos--the one thing everyone agrees they are not.

Whatever they're called, they are fine examples of Mozart's early essays in chamber music...Mozart composed them in 1772, when he was 16, not long before leaving Salzburg on his third (and, as it turned out, his last) trip to Italy. He was going to Milan to produce the opera 'Lucio Silla' on a commission from Count Firmian, governor-general of that city. He probably expected, from previous experience, to need music to entertain the count's court while he was at work on the opera. So it seems likely that these three works were composed to meet that need. Mozart may have planned to present them with a small orchestra, as Einstein surmises, but here they are played by the four instruments of a string quartet.

The Divertimento in B flat, K. 137...differs from [K. 136 & K. 138] by starting with a slow movement. This affecting 'Andante' is led by the first violin and is punctuated by dramatic responses from the accompanying strings. A spirited 'Allegro di molto' movement follows, leading to a delicate finale marked 'Allegro assai'. This section, while not actually a minuet, has a courtly air that suggests a roomful of dancers bowing and curtsying under brilliant chandeliers." - Harvey B. Loomis
 

lunes, 21 de marzo de 2016

Corelli ( 12 Concerti Grossi )



Corelli - 12 Concerti Grossi, Op.6 | Fabio Biondi Europa Galante
 
Publicado el 11 jun. 2015
Arcangelo Corelli (1653 † 1713)

12 Concerti Grossi, Op.6
The Twelve Concerti Grossi, Op.6

Concerti Grossi No.1 in D major, Op.6

01. Largo - Allegro - Largo - Allegro
02. Largo
03. Allegro
04. Allegro

Concerti Grossi No.2 in F major, Op.6

01. Vivace - Allegro - Adagio
02. Allegro
03. Grave - Andante Largo
04. Allegro

Concerti Grossi No.3 in C minor, Op.6

01. Largo
02. Allegro - Adagio
03. Grave
04. Vivace
05. Allegro

Concerti Grossi No.4 in D major, Op.6

01. Adagio - Allegro
02. Adagio
03. Vivace
04. Allegro

Concerti Grossi No.5 in B flat major, Op.6

01. Adagio - Allegro - Adagio
02. Adagio
03. Allegro - Adagio
04. Largo - Allegro

Concerti Grossi No.6 in F major, Op.6

01. Adagio
02. Allegro
03. Largo
04. Vivace
05. Allegro

Concerti Grossi No.7 in D major, Op.6

01. Vivace - Allegro - Adagio
02. Allegro
03. Andante Largo
04. Allegro
05. Vivace

Concerti Grossi No.8 in G minor 'Christmas', Op.6

01. Vivace - Grave
02. Allegro
03. Adagio - Allegro - Adagio
04. Vivace
05. Pastorale - Largo

Concerti Grossi No.9 in F major, Op.6

01. Preludio - Largo
02. Allemanda - Allegro
03. Corrente - Vivace
04. Gavotta - Allegro
05. Adagio

Concerti Grossi No.10 in C major, Op.6

01. Preludio - Andante Largo
02. Allemanda - Allegro
03. Adagio
04. Allegro
05. Minuetto - Vivace

Concerti Grossi No.11 in B flat major, Op.6

01. Preludio - Andante Largo
02. Allemanda - Allegro
03. Adagio - Andante Largo
04. Sarabanda - Largo
05. Giga - Vivace

Concerti Grossi No.12 in F major, Op.6

01. Preludio - Adagio
02. Allegro
03. Adagio
04. Sarabanda - Vivace
05. Giga - Allegro

Fabio Biondi
Europa Galante
 
 
 
 
 

Bach ( Cantata 147 Jesús alegría de los hombres )



Bach: Cantata 147. Jesús, alegría de los hombres.
 
 

Chopin ( Marcha fúnebre )



Marcha fúnebre - Chopin
 
 

Cumpleaños de Bach, Nació el 21 de Marzo de 1685. Ha cumplido por tanto 331 años de su benéfica presencia para la humanidad.



Johann Sebastian Bach - Tocata y fuga en re menor BWV 565
 
Resultado de imagen de bach
 
 
Johann Sebastian Bach
 
 
    Johann Sebastian Bach fue un compositor, organista, clavecinista, violinista, violista, maestro de capilla y kantor alemán del periodo barroco. Wikipedia
    Fecha de nacimiento: 21 de marzo de 1685, Eisenach, Alemania
    Fecha de la muerte: 28 de julio de 1750, Leipzig, Alemania
    Cónyuge: Anna Magdalena Bach (m. 1721–1750), Maria Barbara Bach(m. 1707–1720)
y muchas más
 
 
 
 

domingo, 20 de marzo de 2016

Bach ( The best of Bach )



The Best of Bach
 
 

Bach was born in Eisenach, Saxe-Eisenach, into a great musical family; his father, Johann Ambrosius Bach, was the director of the town musicians, and all of his uncles were professional musicians. His father probably taught him to play violin and harpsichord, and his brother, Johann Christoph Bach, taught him the clavichord and exposed him to much contemporary music. Apparently at his own initiative, Bach attended St Michael's School in Lüneburg for two years. After graduating, he held several musical posts across Germany: he served as Kapellmeister (director of music) to Leopold, Prince of Anhalt-Köthen, Cantor of Thomasschule in Leipzig, and Royal Court Composer to August III. Bach's health and vision declined in 1749, and he died on 28 July 1750. Modern historians believe that his death was caused by a combination of stroke and pneumonia. Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque period, and as one of the greatest composers of all time.


0:00 Brandenburg Concerto #3 In G, BWV 1048 - 1. Allegro Moderato 
5:36 Orchestral Suite #3 In D, BWV 1068 - 2. Air, "On The G String" 
10:06 Orchestral Suite #2 In B Minor, BWV 1067 - Menuet & Badinerie 
13:04 Sinfonia In G, BWV 1059R - 2. Adagio 
16:11 Brandenburg Concerto #4 In G, BWV 1049 - 3. Presto 
21:18 Concerto For Harpsichord & Strings In F Minor, BWV 1056 - 2. Largo 
24:42 The Art Of The Fugue BWV 1080: Contrapunctus 9 
27:48 Musikalisches Opfer, BWV 1079 - Fuga Canonica In Epidiapente 
30:37 Toccata In D Minor, BWV 565 
33:26 Violin Concerto In E, BWV 1042 - 1. Allegro 
40:58 Minuet In D Minor, BWV Anhang 132 
42:14 Orchestral Suite #4 In D, BWV 1069 - Rejouissance 
44:54 Christmas Oratorio - Sinfonia 
50:32 Mass In B Minor BWV 232: Gloria In Excelsis Deo - Et In Terra Pax 
56:15 St.Matthew Passion, BWV 244 - Choral: O Haupt Voll Blut Und Wunden 
59:27 St. John Passion BWV 245: Final Chorus - Rubet Wohl, Ihr Heiligen Gebeine