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  Ralph Vaughan Williams - Fantasia on a Theme by Thomas Tallis Ralph Vaughan Williams (1872-1958), England Fantasia on a Theme by Thomas T...

miércoles, 13 de abril de 2016

Bach ( Suite nº 3 )



Johann Sebastian Bach - Suite nº 3, BWV 1068 (Karajan)
 
Johann Sebastian Bach - Suite nº 3, BWV 
Herbert von Karajan

Bach ( Suite para cello nº 1 )



J. SEBASTIAN BACH.- Suite Nº 1 para Violonchelo solo en Sol mayor BWV. 1007
 
El preludio (4/4) de la primera suite puede responder en un principio al carácter de estudio o ejercicio con el que muchos críticos y músicos del pasado querían identificar todas las suites. Su sencillo comienzo de arpegios en semicorcheas así nos pueden hacer pensar, pero en la parte central un arpegio ascendente muere en un calderón y a partir de aquí hay unos compases de tránsito hacia un pasaje de «bariolage» y otro seguido de punto de pedal en Re y ascensión cromática que provocan una tensión dramática tal que no cabe hablar de simple estudio. Tras estos compases (33-38) se libera parte de la tensión acumulada y el movimiento acaba de forma brillante con un amplio acorde.
La allemande (4/4) posee equilibrio en las proporciones y una escritura limpia y ligera, poco usual en las allemandes de J.S. Bach.
La courante (3/4) también posee estas características, y es de notar la rápida presentación de su tema.
La sarabande (3/4), muy equilibrada estructuralmente, tiene uno de los puntos de más interés en el paso de la última parte del compás 13 a la primera del 14, en el amplio intervalo del dos primera línea adicional en la parte superior al Sol primera línea (recordemos que la clave utilizada es fa en cuarta).
El menuetto y su doble (3/4), son movimientos (junto con las bourrées y las gavotas en las cuatro últimas suites) que colaboran al equilibrio de las suites (de por si graves y severas) con sus ritmos y melodías amables. Eso no significa que, como en el caso del doble del menuetto de esta primera suite, no puedan ser de bellísima factura.
La giga final (6/8) muestra estrechamiento de los períodos además de un detalle llamativo: la segunda parte tendría que acabar en el compás 28, pero J. S. Bach de repente realiza una variación que lleva al final del movimiento y de toda la suite.
 

Piazzolla ( Estaciones porteñas , verano )



OCRS - Piazzolla · Las Cuatro Estaciones · Verano porteño
 
 
OCRS - Orquesta de Cámara Reina Sofía
Nicolás Chumachenco, Director y Solista
A. Piazzolla - Las Cuatro Estaciones Porteñas
Verano porteño

Grabación realizada en concierto. 10 de abril de 2012.
Auditorio Nacional de Madrid

Universidad Politécnica de Madrid
XXII Ciclo de Conciertos - Concierto de Primavera
 
 
 
 

martes, 12 de abril de 2016

Star Relax - 3d Fractal Trip


Star Relax - 3d Fractal Trip

 

Mandelbrot fractal deep zoom 21 2^1116 HD



Mandelbrot fractal deep zoom 21 2^1116 HD
 
 
The song is Lost Snow by Mono. This is probably my favorite fractal I've done (and second deepest) now with how trippy it gets about 2/3 of the way through. Also this ended up taking about the equivalent of 2.5 weeks for the fractal to render and about 6 hours to render just the last frame of this video.
If you like what to see and would like to support my hard work in producing deeper and higher quality zooms, feel free to donate. link here:http://tinyurl.com/ao5o2xa

the majority of donations will go toward improving the quality and speed of my computer saving me a lot more time in rendering fractals. Eventually, I would like to branch out to other areas, and eventually get to the point of being able to invest in a website and work towards being able to sell fractal related products.
 
 
 

Rimsky Korsakov ( Capriccio Espagnol )



Rimsky Korsakov Capriccio Espagnol Op 34 Berliner Phil Dir Zubin Mehta 

Chopin ( Balada nº 1 )



Zimerman plays Chopin Ballade No. 1
 
 
 
 
 
 
 
 

Listz ( Consolación nº 3 )



Horowitz plays Liszt Consolation No. 3
 
 
 
 
 
 
 
 

lunes, 11 de abril de 2016

Benjamin Britten ( War Requiem )



Benjamin Britten's "War Réquiem"
 
 
The Sydney Conservatorium of Music Symphony Orchestra and Choir, and Conservatorium High School Choir present Benjamin Britten's "War Reqiem", Op.66.

Neil McEwan AM - conductor

Rowena Cowley - soprano
Pascal Herington - tenor
Alexander Knight - bass

Stephen Mould - conductor, Conservatorium Chamber Ensemble
 

Benjamin Britten ( Sinfonía nº 4 )



Benjamin Britten - Simple Symphony Op. 4
 
 
Simple Symphony Op. 4 

1st Mov.: Boisterous Bourrée
2nd Mov.: Playful Pizzicato
3rd Mov.: Sentimental Saraband
4th Mov.: Frolicsome Finale 

Ensemble- I Musici 

A conductorless Italian chamber orchestra, I Musici was formed in Rome in 1952 by graduates from Accademia di Santa Cecilia. Original members have successively been replaced on an egalitarian basis, maintaining an energy and freshness to their work. The ensemble consists of six violins, two violas, two cellos, a double bass and a harpsichord. Their works are primarily in the field of Baroque, especially compositions by Vivaldi, Albinoni, Marcello, Lotti and Geminiani.
 
 
 

sábado, 9 de abril de 2016

Bach ( Aria variata alla maniera italiana )



Gilels plays Bach - Aria Variata alla Maniera Italiana, BWV 989
 
 
Bach - Aria Variata alla Maniera Italiana in A Minor, BWV 989

Emil Gilels (piano)
 
 
 
 

Händel ( Chacona en G )



Aleksandar Serdar - Chaconne in G major, HWV 435 - Handel
 
 
Chaconne in G major, HWV 435 by George Frideric Handel

Aleksandar Serdar, piano


Ilija M. Kolarac Endowment,
Belgrade, Serbia, 14. march 2009.

viernes, 8 de abril de 2016

Mozart ( Documental A Quest For Freedom )


Documental sobre Mozart (1998)
 
 
 
 
 

 

Mozart ( Concerto nº 17 K. 453 )



Mozart - Piano Concerto No. 17 in G major, K. 453 (Mitsuko Uchida)
 
 
00:00 - Allegro
11:45 - Andante 
23:00 - Allegretto -- Presto

Mitsuko Uchida
Jeffrey Tate
English Chamber Orchestra
 
 
 
 

Mozart ( Concerto nº 23 k. 488 )



Mozart - Concerto no 23 in A major k 488 - Daniil Trifonov and the Israel Camerata Orchestra
 
 
Daniil Trifonov and the Israel Camerata Orchestra performing Mozart - Concerto no 23 in A major k 488 at the Arthur Rubinstein Piano Master Competition (Tel Aviv). Conducted by Avner Biron.

Since its inception in 1974, the Arthur Rubinstein International Piano Master Competition is one of the foremost Piano Competitions in the world. Arthur Rubinstein, who gave his blessing to the competition, headed the jury of the first two competitions (1974 & 1977).
The competition, is held every three years in Tel Aviv, Israel
 
 
 
 
 
 

Mozart ( Concerto nº 19 , k. 459 )



Radu Lupu - W.A. Mozart Piano Concerto No 19 in F Major K. 459
 
 
W.A. Mozart
Piano Concerto No 19 in F Major K. 459
Radu Lupu - Piano
David Zinman - Conductor
Deutsche Kammerphilharmonie

Radu Lupu - Biography-
Radu Lupu (born November 30, 1945) is a Romanian concert pianist. He has won a number of the most prestigious awards in classical piano, including first prizes in the Van Cliburn International Piano Competition and the Leeds International Pianoforte Competition.
Lupu was born in Galați, the son of Meyer Lupu and Ana Gabor. He began piano as a six-year old (with Lia Busuioceanu), making his public debut at age 12, in a concert featuring his own compositions. After completing high school in Galați, and graduating from the Popular School for the Arts in Brașov, Lupu continued his studies at the Bucharest Conservatory with Florica Musicescu (who also taught Dinu Lipatti), and Cella Delavrancea. In 1961, he was awarded a scholarship to the Moscow P.I. Tchaikovsky State Conservatory, where he studied with Galina Eghyazarova, Heinrich Neuhaus (who also taught Sviatoslav Richter and Emil Gilels), and Stanislav Neuhaus.
Lupu's concert appearances and recordings for Decca, though not frequent, consisting of a limited repertoire, have been consistently acclaimed. Although trained in the Russian pianistic tradition, he is particularly noted for his interpretations of the great 19th century German and Austrian composers, especially Franz Schubert, Johannes Brahms, Ludwig van Beethoven, and Wolfgang Amadeus Mozart from the 18th century. He is also noted for performances of works by the Czech Leoš Janáček, and the Hungarian Béla Bartók.

Lupu made his American debut in 1972 with the Cleveland Orchestra, with Daniel Barenboim conducting in New York City, and with the Chicago Symphony Orchestra, with Carlo Maria Giulini conducting. Whilst Lupu has performed with all of the major orchestras of the world and at major music festivals, he is a somewhat reclusive figure. He has regularly refused to grant interviews to journalists for over 30 years.[3] In one rare published interview, originally from 1991, Lupu expressed his philosophy of music-making as follows:
- Everyone tells a story differently, and that story should be told compellingly and spontaneously. If it is not compelling and convincing, it is without value.
In his concert performances, Lupu does not use a piano bench, but instead an office chair. Lupu has participated in notable chamber music partnerships with, among others, the violinist Szymon Goldberg, the soprano Barbara Hendricks, and his fellow pianist, Murray Perahia. 1966. First Place in the Van Cliburn International Piano Competition. 1969. First Place in the George Enescu International. 1969. First Place in the Leeds International Pianoforte Competition. 1989. Abbiati prize awarded by the Italian Critics' Association. 1995. Edison Award for Schumann: Kinderszenen, Kreisleriana and Humoresque 1996. Grammy Award for Best Instrumental Soloist Performance for Schubert: Piano Sonatas (B Flat Major and A Major). 2006. Arturo Benedetti Michelangeli prize.
 
 
 
 
 

Mozart ( Concerto nº 14 k 449 )



Mozart - Piano Concerto No. 14 in E-flat major, K. 449 (Murray Perahia)
 
 
00:00 - Allegro vivace
08:36 - Andantino
15:34 - Allegro ma non troppo

Murray Perahia
English Chamber Orchestra
 
 
 
 
 

Mozart ( Sonata k.545 1º mvto )



Mozart Piano Sonata in C, K. 545. 1º mvto. Eschenbach